The drums have long held an important steeple in Afro Trinidadian culture. It was one of the few traditions the slave were able to retain after slavery stripped them from the motherland and forced them to discard their culture, religion and rituals.
Fearing revolts, the ruling class soon banned the August 1st Canboulay celebrations. Ironically, it was this ban that caused the the ex-slaves, with the tenacity of freed men, to protest forcing the ruling class to reconsider. Thus, on August 1st 1884, the ex-slaves were once again allowed to hold their Canboulay celebrations. Still fearing insurrection, the beating of drums were banned as they believed the Africans would use it to communicate their coded messages. However, in the hills of Laventille, where there the Shango religion strived, the Africans were openly resistant and continued with their drumming, a vital part of their rituals.
Re-enaction of the Canboulay Riots |
The people of Laventille, the driving force behind the Canboulay celebrations, unable to bring their drums, turned to the tamboo bamboo instrument, “tambour” being the French word for drum, to accompany their celebrations. They quickly learned that the constant hitting of the bamboo on the ground necessary to produce the drum like sounds, causes several injuries to the “drummer”, and the bamboo itself, ill suited for this type of pounding, split easily. They would need another instrument.
(To Be Continued In Next Post)
N.B Much of the information obtained for this post, including the quotation in the last came from the following website: http://www.steelisland.com/history.asp
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